Share Qty: 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 or Use this location: or New (3) from $115.00 Details Was: Price: & FREE Shipping.Details You Save: $6.39 (5%) on amount charged to the Amazon Prime Store Card.Learn more in easy-to-open packaging.New (3) from $115.00 Details This item's packaging will indicate what is inside.Ship in Amazon box Celestion G10 Greenback Guitar Speaker, 8 Ohm & FREE Shipping.Details in easy-to-open packaging.What other items do customers buy after viewing this item?Celestion G10 Greenback Guitar Speaker, 16 Ohm 10 Eminence Patriot Ragin Cajun 10" Guitar Speaker, 75 Watts at 8 Ohms 166 Tung-Sol 12AX7 Preamp Vacuum Tube, Single 187 Celestion G12M Greenback Guitar Speaker 8 Product description This speaker was designed to capture the legendary sound of Celestion's 1970's 10s - a 10" speaker with a surprisingly meaty tone.

Product information Item Weight 4.8 pounds Product Dimensions 11 x 11 x 5 inches Shipping Weight 4.8 pounds (View shipping rates and policies) Domestic Shipping Item can be shipped within U.S.omicron vaporizer ukInternational Shipping This item can be shipped to select countries outside of the U.S.volcano vaporizer kleinanzeigenLearn More Origin United Kingdom ASIN B002HHLO18 Item model number T5646 Customer Reviews 4.1 out of 5 stars Best Sellers Rank #49,452 in Musical Instruments (See Top 100 in Musical Instruments) #66 in Musical Instruments > Instrument Accessories > Guitar & Bass Accessories > Amplifier Accessories > Parts > Speakers #17,580 in Musical Instruments > Recording Equipment July 1, 2009 Warranty & Support Manufacturer’s warranty can be requested from customer service.yolo m3 vaporizer

Click here to make a request to customer service.pbu vaporizerFeedback If you are a seller for this product, would you like to suggest updates through seller support?vaporizer slideshareWould you like to tell us about a lower price?vaporizer to quit smokingSee questions and answers 5 star86%3 star7%1 star7%See all verified purchase reviewsTop Customer ReviewsReplaced the Jensen P10Rs in my Fender Custom Vibrolux Reverb ReissueGood ToneFive StarsA speaker that will take your amp to 11!I bought this to replace the speaker on my Fender ...Absolutely like new and sounds greatThat explains why it never sounded that good!This speaker came in a Celestion box which ... Great speaker Customer Images See all customer images Most Recent Customer ReviewsSearch Customer Reviews Set up an Amazon Giveaway Learn more about Amazon Giveaway See and discover other items: guitar speaker, warehouse guitar speakers

See our Buyer’s guide to vintage Fender amps for a guide and picture gallery of the known original speakers in the blackface and silverface amps.You may compare these with your own speakers to determine what you have.Speakers are like ice cream; we all have our favorite taste.Some like strawberry while others like chocolate.You need to experiment yourself and taste the hundreds of speaker flavors out there.It is interesting to hear other opinions but it can also be confusing since we lack a precise vocabulary to describe tone and taste.What someone finds harsh can be beautiful sparkle to others.Smooth overdriven tones can mean very different things for heavy metal guys with Marshall and Celestion stacks and country musicians playing twangy Twin Reverb amps.What is also interesting is that our own taste developes over time.After many years with vanilla ice cream, the taste of chocolate will be a tone explosion, not to mention a mix of the two.Variation is the key and therefore, my friend, you need several guitars, amps, pedals and different speakers.

we prefer mostly the American type of speakers for vintage Fender amps.They have a balanced and transparent characte that works good for most music styles.The term “American” speakers is wide and not a very precise term.We use it to describe a “natural” tone, meaning a relatively flat frequency response.Speakers can have different frequency response depending on materials and construction design, like cone shape, magnet weight and coil size.Also, the aging process of these materials will change a speaker’s tone over time.New speakers will therefore sound different from vintage speakers.There are of course exceptions to our preference of American speakers.One is a heavily cranked amp with a bright single coil guitar.In this case we prefer darker sounding speakers than the typical American Jensen C12n-style.We want more bass and mids to smooth out the treble and high harmonic frequencies coming from the amp.A good example is a single coil strat or tele played with the bridge pickup through a cranked blackface Bassman (AB165).

The amp has a huge bottom end and a slightly edgy Fender 6L6 push-pull (class AB) cranked tone.Think of Keith Richards.Another example is a bright jazzmaster with bridge and neck pickup combined for some jangly surf tone, through a big clean amp like a Pro Reverb, Super Reverb or Twin Reverb with lots of reverb.In such cases we tend to favor British voiced speakers to give us a throaty and meaty tone where the treble is tamed and compensated for.Such speakers may not be well suited for crystal clear and soft clean tones, but they match perfectly with our blackface AB165 Bassman with jumped channels and lots of preamp and power amp distortion.Modern speakers produced today have improved since the 60’s in terms of efficiency, robustness and clarity.Swapping speakers is the most effective change you possibly do to change the tone of your amp, and is also a recommended move to all vintage amp owners who plan to gig heavily with their amps.Keeping the original speakers intact is important for the amps’ second hand value.

Players who gig with their amps regularly deserve new speakers and not 40 year old porous collector items that blow whenever you pluck your low E hard.The speakers we review here are mostly conservative alternatives from a Fender perspective.We prefer speaker models who sound close to the originals that came in these amps.In some cases we want more power and headroom, particularly in small single speaker amps like the Princeton Reverb and the Deluxe Reverb who were poorly equipped from the Fender factory (it is a big shame that the Jensen C12n never was installed in the blackface Deluxe Reverb).In bigger, multiple speaker amps we often like speakers with lower power handling and less efficiency because the amps are more than loud enough and we want some tone out of them by turning the volume up (it’s all about playing in the sweet spot).We recommend to choose low power speakers rather than high power.A low power handling means a smaller and lighter magnet and voice coil, lighter cone, less doping, less vibration and movement and more stiffness overall.

A low power speaker will have better transparency, efficiency, sustain and speaker weight.High power speakers are stiffer and require more power to vibrate and operate in its sweet spot.They sound great when they are fed high power, but very few of these speakers sound good with low wattage amps.The enormous 200w EVM12L is a peculiar exception to that rule, and its clean sound is great even at low volumes.A general recommendation is to stay as low as possible on the speaker power handling.A 40w Super Reverb will distribute 10w to each of the four speakers.20w speakers will be safe here.What tone do you seek in your amp?The morale is that the selection of speakers is dependant of your guitar, amp and pedals.That’s why the extenion cabinets are practical.You may select speakers depending on which gear you’re playing.When discussing speakers with others tell them where you are at, what are you seeking, what do you want more or less of.Come up with actual references in terms of guitars, amps and actual songs that give people an idea of what tone you are seeking.

If you are using your amp in many different environments we find it useful  to install a mix of speakers that bring different qualities to the table.By enabling and rewiring the speakers one can quickly switch your tone depending on what the specific gig requires.Be careful that the speakers you mix are not too different in terms of efficiency, frequency response and sensitivity.If you pair a very bright speaker with a dark one, you will find that you have to EQ your amp to suit the brightest speakers.Then you won’t utilize the dark sounding speaker which will only be dull and dark.The same goes for efficiency.You won’t hear low efficient speakers if they’re combined with highly efficient ones.We’ve once paired Jensen P10r togther with Weber 10A150 with bad results.The 10A150 forced us to back down on the bass and volume since they have so much of it.The P10r then barely came through in the mix, and it delivered an unpleasant, sharp and thin tone.The P10r forced us to go down on treble and turn off the bright switch.

This made the 10A150 dull sounding.We simply couldn’t find a sweet spot where all speakers were working together.All blackface and silverface amps can be used together with extension cabinets using the external speaker output.The point with extension cabinets is to get a bigger and wider stage sound, but not necessarily louder.One can also blend different flavors of speakers for a more complex sound.But then comes the question of which speakers to mike which too often complicates the idea of a simple and failure-proof setup.Most often we use extension cabinets at big stages or at unmiked gigs to fill the room better without playing so terribly loud.Sometimes we use extension cabinets as monitors for the band which is very practical at out-door gigs where the sound is very little reflected.You may point the extra set of speakers against the drummer and bass player.The common rule of thumb with speaker impedances in Fender amps is that the output transformer handles a impedance variation of +100% and -50%.

This is a safe operating level where your amp doesn’t suffer.Example: An amp with a 4 ohm output impedance may handle a speaker load between 8 and 2 ohms with either removal or supplement of speakers.Let’s study the impedances of different amps and see what speaker cabinets that goes along (blackface amps, if not mentioned explicitly otherwise).If not specified, you may assume 8 ohm speaker impedance in these examples.All speakers are wired in parallell.8 ohm amps: Princeton 1×10″, Princeton Reverb 1×10″, Deluxe 1×12″, Deluxe Reverb 1×12″, Showman 1×12″, Pro 1×15″, Vibroverb 1×15″.These may be extended with 8 ohms or more (i.e.16 ohm) to stay under a total load of 4 ohms.A good extension cabinet is 1×12″ or 1×15″ at 8 ohms since the power will be evenly distributed between the two speakers.Hooking up one 16 ohm speaker will result in the power being distributed twice as much to the in-built speaker.Also, if you hook up a 2×12″ cabinet with 16 ohm speakers, the inbuilt speaker will get twice as much as each of the other two speakers.

We’re not saying this is wrong or undesirable, just that the power will be distributed unevenly between each speaker.This may introduce a bottleneck at one of the speakers while the other are not being pushed at all.4 ohm amps: Champ 1×8″, Vibro Champ 1×8″, Vibrolux Reverb 2×10″, Tremolux 2×12″, Pro Reverb 2×12″, Twin Reverb 2×12″, Bandmaster 2×12″, Bassman 2×12″.According to the rule of thumb these amps handle a speaker load between 2 and 8 ohms.The 4 ohm amps are flexible and supports a lot of extension cabinet applications.A single speaker extension cabinet at 8 ohm will, together with the 4 ohm speaker load, result in  2.67 ohms.Two speaker extension will give you a 2 ohm total speaker impedance.In both cases the power is distributed evenly between all speakers as long as they are 8 ohm each and wired in parallel (which we personally always do).Good extension cabinets with the amps above are 1×12″, 1×15″, 2×10″ or 2×12″.In any single speaker extension cabinet we recommend highly efficient speakers since we want that extra speaker to be heard along with the two unbuilt speakers.